{"title":"BIG SKETCH SERIES","description":"\u003ch3 class=\"PDq2pG_selectionAnchorContainer\" data-end=\"351\" data-start=\"310\" data-section-id=\"1kc7a5c\"\u003eOriginal Large-Scale Drawing on Paper\u003cspan class=\"PDq2pG_selectionAnchor\" aria-hidden=\"true\"\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp data-end=\"711\" data-start=\"353\"\u003ePart of the ongoing \u003cstrong data-end=\"390\" data-start=\"373\"\u003ePower Drawing\u003c\/strong\u003e series, these original works explore drawing as a physical act rather than a purely visual exercise. Created standing at a wall on oversized paper, each piece develops through continuous full-body movement, allowing rhythm, weight, and directional energy to shape the composition before conscious representation emerges.\u003c\/p\u003e\n\u003cp data-end=\"1160\" data-start=\"713\"\u003eRather than beginning with a subject, these drawings begin with motion. Forms appear gradually through accumulated gestures, layered marks, and changing tempo, resulting in compositions that occupy the space between abstraction and recognition. No preliminary sketch is made, and no attempt is made to resolve every passage. The finished work preserves the immediacy of its making, revealing the history of each decision rather than concealing it.\u003c\/p\u003e\n\u003cp data-end=\"1396\" data-start=\"1162\"\u003eEvery drawing in the series is unique and bears the physical evidence of the process—overlapping marks, shifts in pressure, corrections left visible, and the subtle irregularities that distinguish an original work from a reproduction.\u003c\/p\u003e\n\u003chr data-end=\"1401\" data-start=\"1398\"\u003e\n\u003ch2 data-end=\"1417\" data-start=\"1403\" data-section-id=\"1n6anig\"\u003eMethodology\u003c\/h2\u003e\n\u003cp data-end=\"1546\" data-start=\"1419\"\u003eEach drawing is produced using the \u003cstrong data-end=\"1471\" data-start=\"1454\"\u003ePower Drawing\u003c\/strong\u003e method, a studio practice centered on large-format, full-body mark making.\u003c\/p\u003e\n\u003cp data-end=\"1571\" data-start=\"1548\"\u003eThe process emphasizes:\u003c\/p\u003e\n\u003cul data-end=\"1829\" data-start=\"1573\"\u003e\n\u003cli data-end=\"1619\" data-start=\"1573\" data-section-id=\"n26alk\"\u003eDrawing while standing at a vertical surface\u003c\/li\u003e\n\u003cli data-end=\"1686\" data-start=\"1620\" data-section-id=\"1uqhkey\"\u003eWhole-arm and full-body movement rather than wrist-driven detail\u003c\/li\u003e\n\u003cli data-end=\"1738\" data-start=\"1687\" data-section-id=\"10ucp7n\"\u003eContinuous mark making without preliminary layout\u003c\/li\u003e\n\u003cli data-end=\"1773\" data-start=\"1739\" data-section-id=\"18l2ouo\"\u003eLayered observation and revision\u003c\/li\u003e\n\u003cli data-end=\"1829\" data-start=\"1774\" data-section-id=\"1acnhja\"\u003ePreservation of process rather than concealment of it\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"1902\" data-start=\"1831\"\u003eThe resulting works are records of movement as much as they are images.\u003c\/p\u003e\n\u003chr data-end=\"1907\" data-start=\"1904\"\u003e\n\u003ch2 data-end=\"1921\" data-start=\"1909\" data-section-id=\"10kmwe5\"\u003eMaterials\u003c\/h2\u003e\n\u003cul data-end=\"2198\" data-start=\"1923\"\u003e\n\u003cli data-end=\"1968\" data-start=\"1923\" data-section-id=\"d4m84v\"\u003eOriginal drawing on heavyweight kraft paper\u003c\/li\u003e\n\u003cli data-end=\"2063\" data-start=\"1969\" data-section-id=\"4d6dwi\"\u003eProfessional artist-grade charcoal, graphite, ink, acrylic, or mixed media (varies by piece)\u003c\/li\u003e\n\u003cli data-end=\"2076\" data-start=\"2064\" data-section-id=\"1cgof39\"\u003eHand drawn\u003c\/li\u003e\n\u003cli data-end=\"2107\" data-start=\"2077\" data-section-id=\"1bwllm2\"\u003eOne of one (unique original)\u003c\/li\u003e\n\u003cli data-end=\"2130\" data-start=\"2108\" data-section-id=\"1hktws1\"\u003eSigned by the artist\u003c\/li\u003e\n\u003cli data-end=\"2198\" data-start=\"2131\" data-section-id=\"1fjixbo\"\u003eShips rolled in a protective archival tube unless otherwise noted\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr data-end=\"2203\" data-start=\"2200\"\u003e\n\u003ch2 data-end=\"2218\" data-start=\"2205\" data-section-id=\"7q4hfq\"\u003eDimensions\u003c\/h2\u003e\n\u003cp data-end=\"2284\" data-start=\"2220\"\u003eApproximately \u003cstrong data-end=\"2252\" data-start=\"2234\"\u003e36 (91cm)× 72(182cm) inches\u003c\/strong\u003e \u003cem data-end=\"2284\" data-start=\"2253\"\u003e(or insert actual dimensions) \u003c\/em\u003e\u003c\/p\u003e\n\u003chr data-end=\"2289\" data-start=\"2286\"\u003e\n\u003ch2 data-end=\"2303\" data-start=\"2291\" data-section-id=\"hrykuu\"\u003eCondition\u003c\/h2\u003e\n\u003cp data-end=\"2506\" data-start=\"2305\"\u003eExcellent studio condition. Minor edge irregularities, handling marks, or surface variations may be present as a natural consequence of the drawing process and are considered part of the original work.\u003c\/p\u003e","products":[{"product_id":"big-sketch-series-art-what-u-like","title":"Big Sketch Series: ART WHAT U LIKE","description":"\u003ch1 data-start=\"0\" data-end=\"27\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\n\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"2\" data-end=\"27\"\u003eThe Big Sketch Series\u003c\/strong\u003e\u003c\/span\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003ch2 data-start=\"29\" data-end=\"53\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"32\" data-end=\"53\"\u003eArt What You Like\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-start=\"54\" data-end=\"90\"\u003e\u003cstrong data-start=\"54\" data-end=\"90\"\u003eMixed Media Study on Kraft Paper\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-start=\"92\" data-end=\"108\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"96\" data-end=\"108\"\u003eOverview\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"110\" data-end=\"191\"\u003eEvery studio eventually produces a drawing that starts giving unsolicited advice.\u003c\/p\u003e\n\u003cp data-start=\"193\" data-end=\"219\"\u003eThis one didn't wait long.\u003c\/p\u003e\n\u003cp data-start=\"221\" data-end=\"559\"\u003eIt began as a figure study—an excuse to chase light across a shoulder and see if a few confident lines could convince a flat sheet of paper it had depth. Somewhere along the way, the drawing decided it had opinions. Before I knew it, reminders, arrows, taped notes, and half-finished thoughts were competing with the figure for attention.\u003c\/p\u003e\n\u003cp data-start=\"561\" data-end=\"748\"\u003eThe little sign reading \u003cstrong data-start=\"585\" data-end=\"608\"\u003e\"ART WHAT YOU LIKE\"\u003c\/strong\u003e isn't a slogan so much as a note to myself. It's the kind of reminder you write down because you apparently need to hear it more than once.\u003c\/p\u003e\n\u003cp data-start=\"750\" data-end=\"1055\"\u003eLike most studies in this series, the drawing documents the process rather than disguising it. The construction remains visible. Decisions overlap. Corrections become composition. The finished piece isn't the moment everything finally worked—it's the record of everything that had to happen before it did.\u003c\/p\u003e\n\u003chr data-start=\"1057\" data-end=\"1060\"\u003e\n\u003ch3 data-start=\"1062\" data-end=\"1081\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"1066\" data-end=\"1081\"\u003eMethodology\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1083\" data-end=\"1367\"\u003eCreated through an additive process of drawing, painting, erasing, glazing, annotating, and revisiting over multiple studio sessions. Rather than removing evidence of experimentation, construction lines, written notes, tape, and revisions remain embedded within the final composition.\u003c\/p\u003e\n\u003cp data-start=\"1369\" data-end=\"1626\"\u003eThe translucent acrylic layers allow earlier decisions to remain visible, giving the surface the same history as the drawing itself. The result is less a finished illustration than an archaeological record of an idea slowly becoming comfortable with itself.\u003c\/p\u003e\n\u003chr data-start=\"1628\" data-end=\"1631\"\u003e\n\u003ch3 data-start=\"1633\" data-end=\"1650\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"1637\" data-end=\"1650\"\u003eMaterials\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-start=\"1652\" data-end=\"1816\"\u003e\n\u003cli data-start=\"1652\" data-end=\"1667\"\u003eAcrylic paint\u003c\/li\u003e\n\u003cli data-start=\"1668\" data-end=\"1678\"\u003eGraphite\u003c\/li\u003e\n\u003cli data-start=\"1679\" data-end=\"1689\"\u003eCharcoal\u003c\/li\u003e\n\u003cli data-start=\"1690\" data-end=\"1695\"\u003eInk\u003c\/li\u003e\n\u003cli data-start=\"1696\" data-end=\"1710\"\u003ePaint marker\u003c\/li\u003e\n\u003cli data-start=\"1711\" data-end=\"1727\"\u003eColored pencil\u003c\/li\u003e\n\u003cli data-start=\"1728\" data-end=\"1750\"\u003eArchival kraft paper\u003c\/li\u003e\n\u003cli data-start=\"1751\" data-end=\"1816\"\u003eStudio tape (intentionally retained as part of the composition)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr data-start=\"1818\" data-end=\"1821\"\u003e\n\u003ch3 data-start=\"1823\" data-end=\"1844\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"1827\" data-end=\"1844\"\u003eArtist's Note\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1846\" data-end=\"1896\"\u003eArtists are constantly told to \"find their style.\"\u003c\/p\u003e\n\u003cp data-start=\"1898\" data-end=\"1941\"\u003eThis drawing suggests a different strategy.\u003c\/p\u003e\n\u003cp data-start=\"1943\" data-end=\"1960\"\u003eFind your pencil.\u003c\/p\u003e\n\u003cp data-start=\"1962\" data-end=\"1979\"\u003eFind your coffee.\u003c\/p\u003e\n\u003cp data-start=\"1981\" data-end=\"1991\"\u003eLose both.\u003c\/p\u003e\n\u003cp data-start=\"1993\" data-end=\"2005\"\u003eDraw anyway.\u003c\/p\u003e\n\u003cp data-start=\"2007\" data-end=\"2163\"\u003eThe sign says \u003cstrong data-start=\"2021\" data-end=\"2045\"\u003e\"Art What You Like,\"\u003c\/strong\u003e which is conveniently shorter than \u003cem data-start=\"2081\" data-end=\"2163\"\u003e\"Ignore the imaginary committee that's been judging your work since art school.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"2165\" data-end=\"2221\"\u003eIt turns out the drawing wasn't really about the figure.\u003c\/p\u003e\n\u003cp data-start=\"2223\" data-end=\"2359\"\u003eIt was about remembering that making the work is usually a much better idea than worrying about whether someone else will approve of it.\u003c\/p\u003e\n\u003cp data-start=\"2361\" data-end=\"2492\"\u003eBesides... if I had listened to sensible advice, there'd be a lot less tape on my drawings—and significantly fewer stories to tell.\u003c\/p\u003e\n\u003chr data-start=\"2494\" data-end=\"2497\"\u003e\n\u003cp data-start=\"2499\" data-end=\"2560\"\u003e\u003cstrong data-start=\"2499\" data-end=\"2514\"\u003eDimensions:\u003c\/strong\u003e Original mixed media on archival kraft paper.\u003c\/p\u003e\n\u003cp data-start=\"2562\" data-end=\"2714\"\u003e\u003cstrong data-start=\"2562\" data-end=\"2576\"\u003eCondition:\u003c\/strong\u003e Original artwork with intentional studio markings, tape, annotations, and process evidence preserved as part of the finished composition.\u003c\/p\u003e\n\u003cp data-start=\"2716\" data-end=\"2810\"\u003e\u003cstrong data-start=\"2716\" data-end=\"2733\"\u003eAuthenticity:\u003c\/strong\u003e One-of-one original work from \u003cem data-start=\"2764\" data-end=\"2787\"\u003eThe Big Sketch Series\u003c\/em\u003e, signed by the artist.\u003c\/p\u003e","brand":"STUDIO SHOP","offers":[{"title":"Default Title","offer_id":47535828730076,"sku":null,"price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0802\/2238\/8444\/files\/IMG_4013.jpg?v=1770315617"},{"product_id":"big-sketch-series-make-code-not-war","title":"BIG SKETCH SERIES: Make Code not WAR","description":"\u003ch1 class=\"PDq2pG_selectionAnchorContainer\" data-end=\"27\" data-start=\"0\"\u003e\n\u003cspan role=\"text\"\u003e\u003cstrong data-end=\"27\" data-start=\"2\"\u003eThe Big Sketch Series\u003c\/strong\u003e\u003c\/span\u003e\u003cspan class=\"PDq2pG_selectionAnchor\" aria-hidden=\"true\"\u003e\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003ch2 data-end=\"55\" data-start=\"29\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-end=\"55\" data-start=\"32\"\u003eMeatbags Don't Surf\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-end=\"92\" data-start=\"56\"\u003e\u003cstrong data-end=\"92\" data-start=\"56\"\u003eMixed Media Study on Kraft Paper\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"110\" data-start=\"94\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-end=\"110\" data-start=\"98\"\u003eOverview\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-end=\"143\" data-start=\"112\"\u003eThis started as a helmet study.\u003c\/p\u003e\n\u003cp data-end=\"187\" data-start=\"145\"\u003eIt ended as a public service announcement.\u003c\/p\u003e\n\u003cp data-end=\"480\" data-start=\"189\"\u003eSomewhere between building the form, chasing reflections across curved metal, and trying to remember how many lines were too many, someone wrote \u003cstrong data-end=\"360\" data-start=\"334\"\u003e\"MEATBAGS DON'T SURF!\"\u003c\/strong\u003e across the surface. At that point the drawing stopped pretending to be serious and became exactly what it wanted to be.\u003c\/p\u003e\n\u003cp data-end=\"775\" data-start=\"482\"\u003eThe helmet wears its history the same way old machines wear scratches—with absolutely no interest in looking new. Construction lines remain exposed, paint drifts across earlier decisions, handwritten notes interrupt the composition, and symbols appear without ever fully explaining themselves.\u003c\/p\u003e\n\u003cp data-end=\"927\" data-start=\"777\"\u003eIt's less a portrait of a machine than the accumulated evidence of spending too much time in a studio with a paintbrush and an overactive imagination.\u003c\/p\u003e\n\u003chr data-end=\"932\" data-start=\"929\"\u003e\n\u003ch3 data-end=\"953\" data-start=\"934\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-end=\"953\" data-start=\"938\"\u003eMethodology\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1263\" data-start=\"955\"\u003eBuilt through successive layers of drawing, painting, glazing, and revision, allowing each stage of construction to remain visible rather than concealed. Structural graphite lines, handwritten notes, translucent acrylic passages, and painted corrections work together as equal parts of the final composition.\u003c\/p\u003e\n\u003cp data-end=\"1461\" data-start=\"1265\"\u003eRather than polishing away uncertainty, the piece embraces it. Every revision becomes another layer of information, documenting how the image evolved instead of suggesting it arrived fully formed.\u003c\/p\u003e\n\u003chr data-end=\"1466\" data-start=\"1463\"\u003e\n\u003ch3 data-end=\"1485\" data-start=\"1468\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-end=\"1485\" data-start=\"1472\"\u003eMaterials\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul data-end=\"1585\" data-start=\"1487\"\u003e\n\u003cli data-end=\"1502\" data-start=\"1487\"\u003eAcrylic paint\u003c\/li\u003e\n\u003cli data-end=\"1513\" data-start=\"1503\"\u003eGraphite\u003c\/li\u003e\n\u003cli data-end=\"1524\" data-start=\"1514\"\u003eCharcoal\u003c\/li\u003e\n\u003cli data-end=\"1530\" data-start=\"1525\"\u003eInk\u003c\/li\u003e\n\u003cli data-end=\"1545\" data-start=\"1531\"\u003ePaint marker\u003c\/li\u003e\n\u003cli data-end=\"1562\" data-start=\"1546\"\u003eColored pencil\u003c\/li\u003e\n\u003cli data-end=\"1585\" data-start=\"1563\"\u003eArchival kraft paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr data-end=\"1590\" data-start=\"1587\"\u003e\n\u003ch3 data-end=\"1613\" data-start=\"1592\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-end=\"1613\" data-start=\"1596\"\u003eArtist's Note\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1680\" data-start=\"1615\"\u003eI've always liked machines that look like they've lived a little.\u003c\/p\u003e\n\u003cp data-end=\"1702\" data-start=\"1682\"\u003eFresh paint is nice.\u003c\/p\u003e\n\u003cp data-end=\"1723\" data-start=\"1704\"\u003eEvidence is better.\u003c\/p\u003e\n\u003cp data-end=\"1925\" data-start=\"1725\"\u003eThe phrase \u003cstrong data-end=\"1762\" data-start=\"1736\"\u003e\"MEATBAGS DON'T SURF!\"\u003c\/strong\u003e showed up somewhere in the middle of the process and immediately sounded like something a robot would mutter after watching humans make questionable life choices.\u003c\/p\u003e\n\u003cp data-end=\"1950\" data-start=\"1927\"\u003eI decided not to argue.\u003c\/p\u003e\n\u003cp data-end=\"2224\" data-start=\"1952\"\u003eThe little symbols, random notes, fake warning labels, and impossible engineering aren't there to explain the drawing—they're there because that's how ideas actually happen in a studio. One thought bumps into another until the whole thing somehow becomes a finished piece.\u003c\/p\u003e\n\u003cp data-end=\"2337\" data-start=\"2226\"\u003eWhether the helmet belongs to a deep-sea explorer, a space mechanic, or the world's most opinionated toaster...\u003c\/p\u003e\n\u003cp data-end=\"2359\" data-start=\"2339\"\u003eI'll let you decide.\u003c\/p\u003e\n\u003chr data-end=\"2364\" data-start=\"2361\"\u003e\n\u003cp data-end=\"2427\" data-start=\"2366\"\u003e\u003cstrong data-end=\"2381\" data-start=\"2366\"\u003eDimensions:\u003c\/strong\u003e Original mixed media on archival kraft paper.\u003c\/p\u003e\n\u003cp data-end=\"2606\" data-start=\"2429\"\u003e\u003cstrong data-end=\"2443\" data-start=\"2429\"\u003eCondition:\u003c\/strong\u003e Original artwork with visible construction lines, handwritten annotations, revisions, and intentional process marks preserved as part of the finished composition.\u003c\/p\u003e\n\u003cp data-end=\"2702\" data-start=\"2608\"\u003e\u003cstrong data-end=\"2625\" data-start=\"2608\"\u003eAuthenticity:\u003c\/strong\u003e One-of-one original work from \u003cem data-end=\"2679\" data-start=\"2656\"\u003eThe Big Sketch Series\u003c\/em\u003e, signed by the artist.\u003c\/p\u003e","brand":"STUDIO SHOP","offers":[{"title":"Default Title","offer_id":47535834136796,"sku":null,"price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0802\/2238\/8444\/files\/IMG_4014.jpg?v=1770316062"},{"product_id":"i-can-kick","title":"I can KICK!","description":"\u003cp\u003eBig Sketch Series\u003c\/p\u003e\n\u003ch1 data-start=\"229\" data-end=\"245\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\n\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"231\" data-end=\"245\"\u003eI Can Kick\u003c\/strong\u003e\u003c\/span\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003ch3 data-start=\"246\" data-end=\"284\"\u003e\u003cspan role=\"text\"\u003e\u003cem data-start=\"250\" data-end=\"284\"\u003eMixed Media Study on Kraft Paper\u003c\/em\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch2 data-start=\"286\" data-end=\"297\"\u003eOverview\u003c\/h2\u003e\n\u003cp data-start=\"299\" data-end=\"329\"\u003eSome artists chase perfection.\u003c\/p\u003e\n\u003cp data-start=\"331\" data-end=\"346\"\u003eI chased a leg.\u003c\/p\u003e\n\u003cp data-start=\"348\" data-end=\"627\"\u003eThis piece began as an anatomical study and quickly wandered off unsupervised. Somewhere between figuring out where the knee belonged and wondering if a robot could stub its toe, it became less about anatomy and more about the wonderfully questionable engineering of being human.\u003c\/p\u003e\n\u003cp data-start=\"629\" data-end=\"889\"\u003eAs with many studies, the notes aren't corrections—they're evidence. Every line is a conversation with the drawing, every piece of tape marks a change of mind, and every painted-over section is proof that bad ideas are often just early versions of better ones.\u003c\/p\u003e\n\u003cp data-start=\"891\" data-end=\"957\"\u003eIn other words, this drawing kicks first and asks questions later.\u003c\/p\u003e\n\u003chr data-start=\"959\" data-end=\"962\"\u003e\n\u003ch2 data-start=\"964\" data-end=\"978\"\u003eMethodology\u003c\/h2\u003e\n\u003cp data-start=\"980\" data-end=\"1289\"\u003eCreated through an additive process of drawing, painting, erasing, rewriting, and occasionally arguing with myself. The figure evolved organically over multiple sessions, allowing construction lines, annotations, and revisions to remain visible as part of the finished work rather than something to be hidden.\u003c\/p\u003e\n\u003cp data-start=\"1291\" data-end=\"1426\"\u003eThe exposed process is intentional. It documents the evolution of the idea instead of pretending the first attempt was the correct one.\u003c\/p\u003e\n\u003chr data-start=\"1428\" data-end=\"1431\"\u003e\n\u003ch2 data-start=\"1433\" data-end=\"1445\"\u003eMaterials\u003c\/h2\u003e\n\u003cul data-start=\"1447\" data-end=\"1591\"\u003e\n\u003cli data-start=\"1447\" data-end=\"1462\"\u003eAcrylic paint\u003c\/li\u003e\n\u003cli data-start=\"1463\" data-end=\"1468\"\u003eInk\u003c\/li\u003e\n\u003cli data-start=\"1469\" data-end=\"1479\"\u003eGraphite\u003c\/li\u003e\n\u003cli data-start=\"1480\" data-end=\"1494\"\u003ePaint marker\u003c\/li\u003e\n\u003cli data-start=\"1495\" data-end=\"1511\"\u003eColored pencil\u003c\/li\u003e\n\u003cli data-start=\"1512\" data-end=\"1534\"\u003eArchival kraft paper\u003c\/li\u003e\n\u003cli data-start=\"1535\" data-end=\"1591\"\u003eStudio tape (left in place as part of the composition)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr data-start=\"1593\" data-end=\"1596\"\u003e\n\u003ch2 data-start=\"1598\" data-end=\"1614\"\u003eArtist's Note\u003c\/h2\u003e\n\u003cp data-start=\"1616\" data-end=\"1700\"\u003eEvery studio has one drawing that's less of a masterpiece and more of a fever dream.\u003c\/p\u003e\n\u003cp data-start=\"1702\" data-end=\"1722\"\u003eThis is one of mine.\u003c\/p\u003e\n\u003cp data-start=\"1724\" data-end=\"1885\"\u003eIf you've ever wondered what happens when an artist decides to study anatomy without the good sense to stop when it starts getting weird... you're looking at it.\u003c\/p\u003e\n\u003cp data-start=\"1887\" data-end=\"1954\"\u003eSomewhere in these lines there's a perfectly respectable leg study.\u003c\/p\u003e\n\u003cp data-start=\"1956\" data-end=\"2003\"\u003eI'm just not entirely sure where it is anymore...or maybe I do. \u003c\/p\u003e\n\u003cp data-start=\"1956\" data-end=\"2003\"\u003eEither way - final color overlay is up to you ( please specify before ordering - otherwise its whatever I felt like the day I ship.)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"STUDIO SHOP","offers":[{"title":"Default Title","offer_id":52025633734876,"sku":null,"price":900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0802\/2238\/8444\/files\/ICanKICK.jpg?v=1783629884"}],"url":"https:\/\/www.gilosan.com\/collections\/asset-pack-71110819842-example-products.oembed","provider":"STUDIO SHOP","version":"1.0","type":"link"}